Tuesday, July 17, 2012

CTPBPDNCD : A blatant dissection of a destructive personal pattern: Part 1. AKA "White-Finger-Lickin' Lava"



Yesterday, I felt like White Lava.  

At first, I mistook this boiling, volcanic feeling for the familiar, snarly, vengeful Red Lava rage that has created so many fascinating-yet-catastrophic footnotes in my personal history.  What’s the difference between rage and anger?  Anger occupies you brain. Rage consumes as it burns you and everything around you alive.  I’m used to that feeling. It’s followed me all my life and, at times, has even served as a comforting friend . The pattern is as follows (perhaps some of you can relate):  1. someone does something that triggers me.  2. I see red.  3. A honed fire ball settles right in my belly and the longer it gestates, the more limbs and teeth it grows.  4. (Option A). If unreleased, a passive-aggressive (but mostly aggressive) hole burns right through the ground I stand on and everyone falls through.  5.(Option B)  If released (as is more usual), a sharp and unrelenting targeting of the perceived offending party takes place.  My jaw unhinges as demons issue forth, vomiting streams of acid that eat through  relationships, jobs, projects, cars, electronic equipment,  various kinds of junk-food, and me. This blows all on its own, mind you. But add to it the residual  after effects of  the necessary damage control (that obviously falls to me) and it straight up sucks.  Remember Dave Chapelle's  “When Keepin’ it Real Goes Wrong.”? Yeah...it's kind of like that. Fortunately, I haven’t made federal prison…yet. 

         Red lava is largely motivated by personal issues, paranoia, unfounded fears and a constant underlying desire to rip things into bloody red chunks. Red Lava is monochromatic; A myopic blend of egotistical proportions.   It assumes that the offending party in any given situation is someone other than myself. It also assumes that any person perceived as an offending party is made up only of things that piss me (and obviously if me, then everyone else) off, and that they’re not dynamic, thinking, feeling , sentient beings who are just as complicated as I am. This eliminates any motivation for compassion, kindness and patience, thusly erasing any reflections on the wisdom of not speaking or thinking ill of others (gossip). How convenient. Except not...because it actually just sucks. I loathe this version of myself.
          It’s not that I’m hooked on drama. I actually despise drama. It’s boring, particularly if it doesn’t involve me. It’s just that I’m so bloodthirsty that I seem to cause drama. Someone will say something and my brain glitches, interpreting sixteen different meanings. If It's a Red day, all sixteen of them register as insults. This then sprawls out of my head and into my consensual reality, where it plants explosive devices and booby-traps all over my world. I could seriously start a fight with my own reflection (come to think of it, I have. I caught myself looking at myself the wrong way while flossing. I punched the mirror and then there were so many pieces of mirror that it was like I multiplied and was mocking myself several times over. It was a mess.)  Even when I’m genuinely happy, underneath it all is a readiness to shred flesh at a moment’s notice. (Humorously insane sidebar:  At one point, I found myself legitimately worried that I was a reincarnation of Henry the VIII ). 
             The crux of this little intro (and yes, were I writing an academic paper, this would have been at the beginning, but it’s a blog, so deal with it) is this: I’m sick to death of Red-Lava. I’m sick of the egoist enslavement that I never escape when the tide hits, because when it hits I’m physically and emotionally crippled.  My body boils and my brain turns into such a chaotic cesspool  of violence and destruction that I can’t see around or over it to clarity. Remember in Peter Pan, where they say that fairies only have room for one emotion at a time? Yeah… it's like that.  I fall into a dark pit for days or weeks on end, accomplishing nothing but an overdramatic parody of myself ; listening to Nick Cave, smoking clove cigarettes and drinking tons of espresso. I know, right!? So lame.  So the urgency to emancipate that vehement ire exactly when it arrives is sort a borderline, emergency health issue. In other words, If don't let the fire out  it burns me from the inside.  Also,  yes, It feels damn good to sear someone in the heat of the moment.   But the thing is, once I come back down from the bone-fire-ish high of sacrificially slaughtering and devouring their soul in a ritual frenzy of crazy… I…um… kind of miss them.  Then no amount of barfing up the chunks and trying to paste them back together will ever fully mend the situation. Sadly, this has happened so many times in my life i'm pretty desensitized. Or rather, because I had relegated this interesting little personality quirk of mine to "something i have to deal with for the rest of my life because i have no idea how to fix it",  I have a default system in place that shuts down any emotions and feelings of regret or pain around the aftermath of  this pattern, therefore allowing me to sleep soundly.  That is, I had them in place, until yesterday. 
               After so many years of dealing with this freeze-dried horseshit, I have finally put my finger on the pulse of something within myself.  Most people, it seems, start from scratch, so when they get angry at something, they're just angry. Most people can also be pushed to rage. However, for me, I start from the place most people end up...because, Like the Hulk (geek alert), I’m pretty much always angry.  This means I have an inadvertently constant stream of running negativity that poisons everything I do, accidentally ruining things I my life. Remember in Ghost-Buster’s II, how Vigo the Carpathian set a river of slime running under an unsuspecting city?   The rage is the slime. I am by turns the city and Vigo,  although as far as I know, I have no Carpathian roots, but I’ll make some research calls and save that for a different blog.  I know I’m not the only one that has this kind of anger management issue, but, for my part, my higher self is over this constant plotline of CAT SMASH. (Subplot: AND THEN CAT POINT AND LAUGH UNTIL RED HAZE CLEARS AND THEN CAT CRY WHEN SITTING IN AFTERMATH OF CAT CRAY).  That’s me.  Cat-the –Possibly-but-Probably-Definitely- not-Carpathian-Destroyer. (Or CTPBPDNCD for short. )   Not that I haven’t been working hard for the past four-and-a-half years or so to dismantle this crap. I have.  However, stuff keeps misfiring, which means I clearly haven't been looking at something that I need to be looking at. Well, I think I found it.  I'm always, always pissed off.  I had someone say to me “you would be able to accomplish a vast amount if you didn’t have this rage clinging to you” To which I replied “but I’m over my rage” to which she replied “HA! No. No you’re not.”  It really pissed me off.  Behold her entertainingly correct assessment.  

              So, meanwhile, a page and half later and that’s enough of Red Lava. Despite all the above ranting, this blog entry is not meant to be a narcissistic “woe-is-me” bare-all about the origin of my personal turbulence. Who gives a crap?  I already know where it comes from.  No, this is not about dissecting the Red Lava… It’s about dismantling and dismissing it. Why? Because I simply don't have the time or space for it anymore in my life. I have shit to do, and this is getting in the goddamn way on a pretty continuous basis. Hopefully my process will be helpful to other people who might be in the rage closet. What I really want to do now is figure out where I go from here. ( Incidentally, when I began this entry I had planned on launching into some sort of sanctimonious speech about how we should all be putting light out into the world. It’s absolutely true that we should be glowing in our highest possible selves. However seeing as I just succumbed to my rage yet again both yesterday and this morning, I am clearly NOT in mine.  I realize that I can’t give that speech until my own stuff is clear.) What I need is a complete overhaul.  An extreme re-calibration. 
  
(Enter White Lava: stage everywhere. ) 

            I hit a different kind of critical mass yesterday and the rage is still so intense that it actually spans the color spectrum  of an entire lifetime (or at least my life thus far) of bad choices, disappointments, misdirection, missed opportunities and inactions on my part . What happens when rage-colors all blend together?  Well, first a rainbow of feeling and then:

White, finger-licken’ Lava.

             What I’ve deemed “White Lava” differs vastly from the Red.  It burns so hot it crystallizes. White lava is what happens when Spirit teams up with your own divine light  and no longer allows you to block your own true self. It sees straight through lies and bullshit. It forces you to look at the truth of what is going on in your own life.  It snatches the reigns that you won’t willingly give up, uses them to smack you into submission and crumbles and combusts all useless trash in its path.  Remember that scene at the end of the Dark Crystal when the Skeksis and the Mystics merge back into one and the crystal is healed and the dark shell falls off the castle and turns into white marble and the land that was barren is healed and lush and thriving…yeah. Like that.  (Not that all my trash is gone, it' not. It's in progress.)
Now I’m the target of my own rage…and I’m furious. ( You can tell how furious because I used both italics AND bold lettering, which for some reason you can't see in this blog post. Also, I have no idea why the first line and the last paragraph are highlighted and I can't fix it. :-/   )  Seriously though, I’m livid. With myself. Not in the ‘burning-down-the-school-gymnasium’  kind of way, but in a really calm, quiet, intensely focused way.  A way that has me reflecting on the fact that I am completely dissatisfied with my whole life. Which is the obvious source of the Red, but what do I expect? We get back what we put out, and threefold. If I’m always angry, even if it's accidental, then…well, there we have it. So what in the blue, succulent Smurf am I going to do about it?  Well, I’ll start with a self-effacing rant: 

            What the have I been doing with my life?  Working jobs that suck just to survive when my options are virtually boundless? And then complaining?!  I’m keeping toxic people in my life, toxic foods, toxic habits, (TOXIC TOXIC TOXIC) And then I have the audacity to complain that I’m not feeling well, that I’m upset with the dynamics of a relationship, that I’m unhappy with my blah blah blah blah blah.  I’m talking my best friends’ ears off about crap that nobody has control over but me! I mean really???  Exactly who do I owe my current struggles to?  Me. That’s who. I can blame my past, my parents, trauma, Santa Claus, relationships, boredom, the weather, lack of job satisfaction,  the rude nose-picker in front of me at the grocery store, “Born again” Christians (well…I might still blame them, just because it’s funny), money issues, dislike of my house,  the color of my toenail polish or a bad hair day.   In the end, I am the boss of me.  We are all the bosses of ourselves. Any crap that is accumulating in my life  is only accumulating because I let it in and then let it stay.  It’s a direct reflection of my sense of self-worth and self esteem and I hold myself hostage to toxic , delusional fears and situations.  Awesome. 

Rant over.

    Surprisingly, I feel relieved.  I was waiting for me to get my head out of my ass, but sometimes it just has to happen when it does.  I’m not sure where to go from here, because I’m still at a point where smoke is billowing out of my ears and nostrils. I do know this though;  I am able to see through and around this rage. It's not crippling, it's giving me strength, and what I see is that  my heart is a bold, brilliant, sea-deep , galaxy-high , prismatic adventure of blinding light, yet I’ve been living as though the landfill of my brain were my true home.  Remember that scene in the Labyrinth, where the trash lady has a dome of trash built over her like a turtle shell? Yeah…like that. 


So in the meantime, I am asking myself these questions (and feel free to play along if you can relate to any of this):

-Am I brave enough to  actually look back  and the bullshit map I’ve been following and clearly see how my own actions and choices have lead me up to this disappointing situation I now find myself in, and then forgive myself and move on without another thought?  
-  Am I willing to drop all baggage and cut ties to all the poisonous tendrils that wind their way around my essence, keeping me from the life I want? 
- Do I love myself? How much do I love myself? Am I willing to sacrifice the comfort of what I know for the brilliance of what I could achieve?
- Am I willing to cut all ties with toxic people (and who are they?) from my life? 
- Am I ready to eliminate all toxic habits,  patterns and thoughts (what are they?) from my life?
- Am I brave enough to raise my standards and expectations and keep them high, expecting fulfillment instead of disappointment?

             I’ve always thought of myself as brave, but remember in the Never Ending Story? The test of the Second Oracle was to stare into the mirror of truth and see if you're able to withstand the sight of your true inner reflection...yeah...kind of like that.  My true, inner reflection is pretty goddamned bad ass...just not in the way that my outer reflection has been expressing. My true reflection is a queen... and i'm done playing maidservant. 

            Yes, indeedy. White, righteous, take-no-prisoners, turning- all- bullshit- to- creosote, Lava.  I’m going to sit with this for a couple of days. I’m going to let the white heat clear my sight and my mind. I'm going to let it turn to ash all things that are no longer useable on my life path. I feel like a streak of indigo lighting. The building of this storm has been in tension-ville for so long that I’m not even attempting to control  the dripping sparks of untamed honey crackling and sliding through every pore of my skin ; electrifying all layers of my being.  Why would I want to?  What has come over me is pure ferocity of epic, goddess like proportions.   It feels like I’m giving birth to myself. Not the cool, Cirque Du Soleil kind of way, but the messy, slimy, screaming and kicking, smacked-butt and hungry kind of way. Which is much better, I guess. I feel as though I were seeing myself through the eyes of a mother that is driving her drug addicted child to rehab.   Speaking of which, I’m very obviously not yet recovered from my rage addiction. My personal rehab for myself is not fully constructed or planned, I’m just trying to be open and listen for guidance. I don't need or want coddling or sympathy around this... it makes me feel like the whole point of expressing and sharing this process through writing has been missed.  What I need are witnesses to keep my ass in line.  And for those of you in my life who do that already, I love you for it. You are part of the reason I've gotten this far. I have many true and wonderful friends in my life, and that is a gift of which few can boast.  I know I will not fail in this mission, though it might take me a minute to draw up a new map.  I’m not sure what I’m going to do next, I just know:

Today I felt like White Lava…and it was a hell of a lot better than Red.

AM I BRAVE ENOUGH??  HELL YES. 

Maybe.

Stay tuned.





Monday, April 9, 2012

Interview with Mardi Love


Mardi Love Interview
This in an interview with Mardi Love on June 20th, 2011

By Caitlin Waltzer
Ladies and Gents  I present to you the illustrious Miss Mardi Love…


CW:    Who is the strongest woman you know?

ML:   That I know personally?  Well…I’d have to think that through a bit. Does this thing (recording device) have a time limit? (Laughs).  I mean for me it begins to group into traits from a bunch of women I know that are totally amazing. Whether they’ve been just going through it (stressful times) with a partner, or going through childbirth, or owning businesses. I could say my old boss Victoria Lark is one of the strongest women I know,   or my Grandma, who went through really mean times and came through it, or women who have lost children, or women who are amazing performers or amazing musicians.  Whether I could actually pick one person I know that trumps all others…I don’t really think I can.


CW:   What makes you feel like you’re in your highest self?  


ML :   Usually when I’m …I don’t want to say “performing” exactly, but the feeling of happiness that comes from performing for other people. When I feel like I’ve created a moment of beauty, or special feelings in a person which, for the most part, has been when we’ve been out touring and someone will come up say something to that effect. Or when I’m just outside sitting, thinking about the next great, beautiful thing to make… and also during the polar opposite times, the times when I’m executing the ideas that come in the quiet moments.



C:  What is the experience like for you when you dance, when you’re just “in” your art (or one of your many arts)?

ML: When I dance, when I perform, I try to approach it from a very natural, sort of humble place.  I never really set out to try and dazzle people, but rather to make them feel comfortable around something that is, I think, often perceived as more than what it actually  is because there’s so much pageantry that’s sort of laid over the top of it… I guess trying to make that as comfortable, easy and warm to for people to absorb as possible.   Just so they can feel more than just stupefied by the rhinestone glare, or the piercing gazes.  So it’s something a little easier to take in and not quite so dazzling.



CW:   Do you have a daily spiritual practice or Code that you live by?

               ML:  No.


CW: How do you connect?


   ML:  Well, that usually happens when I’m able to be home in the garden. That’s huge for me. A lot of times when that isn’t my situation, it’s hard for me to connect. I would say that it’s easy to become disconnected when you’re racing around. When I travel,  and because I’ve been at it long enough to have been able to work with the same people multiple times,  I have the luxury of being able to choose  when I do or don’t take jobs.   These days just for the sake of my own state of mind, I usually travel with people who I know and love. It definitely makes me feel less worn out at the end of travelling, because it’s totally recharging and joyful to actually see friends when you’re on the road. I mean like these folks here (in Boston), I just met you guys for the few hours when we were in town for our show (Serpent Rouge)  last time , but I sure did like folks, so it was easy for me to say “yes I’ll come!” . But these days, usually if  I’m headed somewhere to work, I’m choosing to  be with people whom I’ve definitely felt a little heart-string pull  towards.  So at home, I connect… but I like quiet time in the garden, with the chickens, or in my workshop…my little house of treasure. On the road it’s gotten definitely better/easier because I’m with people that I’m happy with and comfy with.



CW: When you were a child, what did you want to be?



ML: Well, I wanted to be a Vet and have a horse ranch.  I unknowingly called it a horse “farm” back then. I didn’t really know what it meant to have a horse “farm”. I just knew I wanted a place that meant I got to have a lot of horses. As a kid, and well up into my early twenties, I pretty much spent dawn-to- dusk on horseback.  It’s funny now, because I still have a horse down in San Diego, and when I go see him, I reflect on how huge that was in my life.  In the summers we were totally MIA, just out of the ranch or in the box stalls but never out doing anything other than horses and hitting the hills.   Now that seems so far away, it’s crazy. When I’m there its like “I remember this…it’s so familiar.”  



CW: Do you think that is something you’ll ever go back to again?



ML:   I hope so…yeah. I really hope so. Right now it’s funny because when I get up on a horse its like,” I had better not break my arm; I’m under contract to be somewhere”.  It makes one timid. Contracts make you timid. You have to be careful with yourself all-of- a-sudden.   I hope I get to go back to it though.   For me, horses kind of go hand-in-hand with being out in the open and seeing far places.  




      CW:   If your wings were visible to the naked eye, what would they look like?

ML:   hmmm… I think more in the realm of hawk than faerie.  Probably earth-toned colors, a little bit of patterning, like banding, but also a lot of speckles with browns, grays, blacks…a little bit of white.

CW: Rad. That totally suits you.

ML:  Yeah…


CW:   What are your hobbies?

 ML: Gardening is a big one for me; plants have been big for years for me.  My dabbling has gone from orchids, to just herb gardening, to some vegetable gardening, depending on where I am in the moment.  The plant world and involvement with it is major.  I also do a lot of costuming, which at first was born out of necessity.  I do have some business with it, and generate some income with it, but there’s also this irresistible urge to just pick up stuff and sew one thing to another.  If I want to get away from all things Orientalist Belly Dance,   which happens you know…it kind of comes in and you throw it out and it comes back…then yeah,  something else involving hands whether it’s making toys, or  making useful things, like lamps,  out of found objects. I don’t really have fitness things as hobbies (I like to mill around and beach comb, but I don’t have anything really active). I’m more about making little things out of things.




CW:  In your opinion, what needs to happen in order for the world to be a better place?

  ML:  I think that communities need to reconnect a little bit. I feel like neighbors just don’t know each other anymore, and I feel like the more anonymity there is in communities, the more people can get away with a lot without being held accountable. I think families need to be more involved with families, and that communities need to be more connected with each other.  I think that the food industry needs a big overhaul, and I’m really glad that there seems to be a huge, new-found interest in smaller, local farming and farmers markets, but I also feel like, unfortunately,  a lot of that is more in the affluent neighborhoods where it’s a trend .However,  it would be nice if the interest in local farming lasts. Things can’t go on like they’re going on, so hopefully out of necessity, out of not being able to ship stuff (like lettuce from California up to Maine)  I hope that will just sort of begin to happen and  people will begin to find their way gracefully.   I also wish people would rethink what success is and aim more for sustainability than expansion. I wish people would  give themselves a little bit of time to enjoy things like music and art, and not always just nose-to- the- grindstone trying to go, go ,grow…being happy with what they’ve got so that they can make time in  life to explore things like kids ,  the arts and cooking …the fun stuff.

 

CW:   When you’re feeling stuck in your practice, what do you do to get unstuck?

ML:  Stop practicing.  I step away from belly-dance all the time. I’ll just not go near it for several weeks. That’s usually the best way for me to reset. I just walk away from it for a little while,  and do everything else,  like explore other forms of dance, so that when I return to it, I have  a few other movements in my pocket that refresh the dance,  so that I’m not going back to the old thing.  I would tell dancers that, because it keeps you excited about what you’re doing.  Usually I’ll turn away from it for a while and just look at other things. All of the new stuff  is what you take and put back in and it comes out in some form or another,   whether you’re adjusting your aesthetic a little bit, or adjusting your vocabulary of moves, or maybe the music that you’re sorting through that you might want to work with.   I also pour myself into playing instruments.



CW: What do you play?

ML:  Banjo. I’m a beginner, but I love it. I also play the Saw, which is totally an instrument, but you just kind of learn the technique and then  hopefully you have the ear for it and you can run with it, so that’s  fun.  I also grew up playing piano, so I come back to that…if there aren’t too many people in the house.



CW:  Who inspires you?

ML:     Usually the folks I want to pull towards me and collaborate with are the ones that inspire me the most. Devon Champlain inspires me a lot, because he’s kind of a powerhouse. Other friends like Zephira Dance Company… I mean those ladies are all so rad.  They all have kids, and they‘re all just people that are working and pulling it off. Zoe Jakes inspires me and Rachael Bryce of course.  All the artists that I’ve been lucky enough to work with inspire me.  We’ve all just gravitated towards each other…I know from my end, it was because I felt deeply inspired by them, both dancers and musicians. There are definitely people that make you want to be better. For me it’s pretty localized. It’s the people I know personally that I’ve wanted to work with and that make me want to “get with the program” and actually create something. 



CW: There are actual moves named after you that are basically foundational practice for ATS and Tribal Fusion dancers. Is it ever overwhelming to think about the fact that your particular style of dance has changed people’s lives in the dance world?



ML:  Yeah. It is.  When I started taking belly dance, I had never seen a belly dancer. I kind of had this random flash of “I’d like to take bellydance…I don’t know why” And I looked in the phone book in San Diego and didn’t see any listing for Belly Dance, so I was like “well, I guess that isn’t going to work, so never mind”.   Then, some months later, there was a community college catalogue that showed up and it had belly dance classes. They were cabaret.   I went there for a couple of months, and then Heather Stantz came into town. I had seen video footage of   Fat Chance Belly Dance. It was nuts and I thought it was great, but that style hadn’t made it to San Diego.  I wasn’t after it really, I just liked it.  I would never have moved to San Francisco to pursue Belly Dance, I just wouldn’t. But then Heather Stanz moved down there and we formed Urban Tribal Dance Company and…well I guess the point I’m trying to make is that I just sort of …tumbled into it. I love the style of it for its more Burlesque side.  I mean, it is technically early American Burlesque.   I love Burlesque that is steeped in some comedy, and I find Belly Dance to be comedic on some level for sure.  I hear so much seriousness surrounding Belly Dance, yet  I’m thinking of like, wearing these little numbers and walking out,  shaking around and totally being goofballs on stage, and so it is overwhelming  when people will come up and say “wow this really means a lot” because I’m thinking that it’s funny.  Not necessarily that I laugh at it, but it’s amusing to me  as its own form, and  I like the light side of it, I like to  have a good time with it more that process through it. Since I’m using it more as a play-thing, its really overwhelming when it completely affects some people.  I feel like I’m just having a good time.



CW: I’ve heard so many people refer to you as a “Tribal Goddess”…what does that feel like?

ML:  I just feels like “no no no no no…people…no.  We’re goofballs.”



CW:  Um…sure…goofballs that everyone worships.

ML:  (Laughing) yeah…its funny.  When we were  talking earlier about having one foot in and one foot out of things ( referring to previous conversation)  I’ve always felt that way about dance. Rachael used to always say “why don’t you just admit that you’re a belly-dancer?”   People would ask me what I do and I’d say “well I dunno… a little of this, a little of that. Sometimes I dance around. Sometimes I make some stuff. Sometimes I teach.”  And she would say “Are you kidding right now?  Why don’t you just own up to the fact that you’re a dancer and that you’re influential in a community?”  It’s hard to actually claim that, I guess, because I get nervous how serious and affected people get. It’s a lot of responsibility, or it feels like a lot of responsibility when people come up and they say “you totally influence me”.   Well hell, now I suddenly feel a little more responsible than just being some wing-nut out on a stage.





CW:   If you could make three wishes, what would they be?

ML: Health for my family and I. That people I love aren’t in pain.  That nobody is in pain.   I guess that’s enough.



CW:  If you had one super-power, what would it be?

ML: Flying. X-ray vision and stuff is cool, and so is knowing other people’s thoughts, but really...the coolest is flying, for sure.



CW:  where would you go if you could fly?

ML: Um… everywhere. Starting with maybe Chicago…I have no idea why.



CW:  What makes you righteously angry?

ML :  Factory farming.  I was also gonna’ say “shit- talking drama in artistic communities”, although I’m not sure it that makes me righteously angry. You end up feeling angry and defensive at first on behalf of whoever the target it, but then you just begin to feel bad for the person doing the shit-talking, because clearly  there is something going on there beyond their issue with another person.



CW: I think that’s something that artists and artistic communities need to hear.

ML: Yeah…too much time on some people’s hands.  If you’re a serious artist, aren’t you busy? Aren’t you too busy for that kind of drama? 



CW : What makes you profoundly sad?

 ML:  I guess just general meanness... I don’t’ like that so much.  Typical golden rule stuff is where it’s all centered. I don’t like it when people treat other people poorly.



 CW:  What makes you divinely happy?

ML: Usually a wood burning stove in a  really warm little  room , with a couple really good friends or a loved one, where everything’s kind of quiet, and just  the feeling of knowing that it really doesn’t get any better than that. Or when the first flowers you were working on start blooming, Or when you get to witness the fruits of your labor.  Just witnessing success of all your hard work and watching it pay off, whether it might be the literal fruits of your literal labor, or beginning a project and working through it and seeing its success in the end.





CW: what do you think is the greatest gift that dance has to offer?

ML: To Dancers or to people watching?



CW: Both

ML:   To the public, I think that it offers beauty, and I think that any time you’re able to put something beautiful out into the world,  its’ kind of your obligation to do so.  To dancers, I think everyone dances for their own reasons.  I would imagine on some level it’s fulfilling or people wouldn’t be doing it.  Whether it’s finding comfort in body issues, or being able to have a creative outlet where you might feel creatively stifled in another part of your life, or just being active or being with other dancers. Over the years it has seemed amazing, the variety of reasons that people find it and stick with it or do it.  It seems so deeply fulfilling to people. I think moving in space with the idea of creating beauty is huge for people, something that hopefully is contagious and makes people feel like they’re giving.



CW: So when you speak of being obligated to put out beauty in the world where you see beauty can be, what is the philosophy for you underlying that conclusion…what brought you to that?

ML:  Because there are a lot of not beautiful things in the world. I think people forget. We’ve been places on tour and it’s that thing I mentioned earlier where I’m thinking “hey let’s put on some costumes and dance around and have some fun! “  It’s just belly dance, it’s not a big deal. Then some random person will come up and say “what is this? I’m never going to forget this!” and they have stars in their eyes and  are so moved by the music and the dance… it’s amazing to watch their hearts just expand out of their chests, knowing that otherwise, there’s a good chance, especially in this country, that they would have just been at home watching TV, and if they’re watching TV ,  there’s a good chance they’re watching some lame reality show that’s all centered around people being  unhappy and being as ugly as they can be. No physically, I just mean the things people love to hate, you get addicted to looking at it. Instead, the experience we offer totally removes them from that place that seems so easy to be in because the whole world is like “look-at-it look-at-it look-at-it! Here’s where the money is!”  Our dance stops people and spins them out of “life is hard and the world is hard.” It shifts them into a place that reminds them of the way things can be.   Hopefully it inspires them to dwell in that realm a little more, instead of the other one.



CW: What do you use to keep yourself centered on the output of beauty? What is your check-point when you get into a dark or heavy place?

ML:  Usually picking up an instrument, or bringing in music, or finding one of my friends and asking them to play for me. I’m also really drawn to old things; antiques and old photos. Sometimes just flipping through things I find are beautiful. 



CW: What do you see as the biggest challenge facing our world today?

ML:    One side of it is the sort of prevalence of technology, like the internet and iPods. I think it disconnects people. It allows people to be separate.



CW: How can Dance help as a healing art?

ML: Usually, ideally, it pulls people together into a space where they are there, and in the moment. They are either participating in, or watching the dance. Either way they are involved in the beauty that is being created in the moment. My new pet-peeve is when you walk out on stage and you are ready to connect with your audience, and you look out and instead what you see is a bunch of people holding up recording devices and watching you, but through the screen, and its like “I’m right here!” And those videos end up getting uploaded to YouTube etc.   It’s just this bizarre thing, this strange obsession. I’m not sure if it’s people just wanting to say “hey I was here!”    I mean for one, It ruins the surprise for other people that you’re gonna’ go perform for if they’re like “oh yeah, I saw that on YouTube.”   So there’s that part. Even more than that is that it’s removing the feeling that things can be spontaneous anymore, that nothing can be right there in the moment. It always endures in its half-shell of a form in media somewhere….like in video on YouTube.  You can see a performance and feel like it was astounding, but if you watch it later on TV; it feels flat compared to being there.  You think “gosh, it sure didn’t feel that way when I was there, now it just feels kind of ho-hum.”   It’s really hard to pull people out of the digital- based reality and into the real reality of live people and live instruments on stage. Just the fact that you’re able to see a live music show anymore is such a gift; such a privilege, and then when they put up this barrier of some little robot thing between you and them it’s like “I can’t even connect with you now. I see your eyes, but you’re watching your tiniest TV. I could be looking you in the eyes and actually make this more meaningful for you but it’s not gonna work out that way…”   That’s my little soap box.



CW:  In a time when our planet is in such a high-crisis state, what would be the healing balm that women could bring to the world?



ML:   I guess the soft comfort that comes from women you know… just sort of providing healing and nurturing and comfort.



CW:  What’s the wisest piece of advice that you’ve ever received, or that you could give out…dance advice or otherwise? :

ML:     Look, it’s only Belly Dance. Just enjoy it.  






A Poem: BLUB




In a mind-sided aquarium,
Dad and I were talking.
70% of the Earth
is covered in this.
Surrounded by subterranean windows,
words ebbing and swelling
in the dance of elusive little fish.

Toxic
Is the pollution that comes
From not caring;
Vindicating
Is absolution
of love.
Phases of apathy mask
the fear of responding,
As below, so above.

One dolphin; a dream
One boat; a machine
One jellyfish; the wavering illusion.
And one strange, prehistoric creature
Half Plesiosaurus, half Lion,
Crazy from its containment
in the modern glass confinement.

There is nothing like the electric shock
That comes
From realizing a connection
So intense, so obvious
That it misses inspection.

DIVE IN

To the spheres of creation and
They bounce
And spread out among the tanks.

CONNECT THE DOTS;
Dogs to sea lions
Crabs to spiders
Water to air
Dolphin to human
Whale to something older
Snakes to snakes
Lobsters to scorpions
Sharks to primal power

And Sea Dragons to…
What?

There must have been
A land version at one time,
Because there is that plesiosaurus
With the head of a lion,
Thrashing about
In its attempt to get free,

Everything significant
Divisible by mystery.

Thirteen squares and a sea turtle’s shell;
Thirteen moons on the goddess’s wheel.
.
Lava Low to lighting high;
Mother earth and father sky.
Forest of redwood, cedar and pine,
To forests of kelp, seaweed and brine.

Moon pulls the blood of the womb and the sea,
in conversation my dad and me
Review the tanks with different points of view,
And where our minds don’t agree
Our eyes do…


Because we both see
The plesiosaur with the lion’s head.


There’s just no disputing
The fact that it’s there,
And neither of us can react
We just stare.
The implications of such a creature
Are so acute,
That there’s no room
For either of us to convolute.

Theory is faced with realization born,
And as I ask my father
If he believes in unicorns,
He turns and looks at me,
Half with a sigh,
But we both look up
And a Narwhal swims by…
I see realization
Dance into in his eyes.

As often happens in dreams,
The dissolution starts.
The Plesiosaur-Lion pivots and darts,
prismatic tanks pulling apart.
I want to run
But the need to leave feels bad
My stomach drops
I look at my dad
Who is now also in sections
And somewhere inside
I see my reflection

and

He and my mom and creation’s perfection
And imperfection,

Ebbing in and out
in the dance of elusive little fish,
And 70% percent of the Earth
Is covered in this,
And 20% resides in creation…
And the last 10% resides in the elation
Of the realization
Of the Plesiosaur-Lion.




Poem: Werewolves




I slew all the vampires I knew
Some recently, some a while ago
(one of them was you)
I honed skills readily
Now I execute defenses steadily


I stay away from vampires
And they’re easy to spot
Sucking on life’s essence
Auras smelling of rot
Stealing and pealing
And sucking you dry
You feel compelled to give
And give more
And you don’t know why
Nosferatu fangs and claws
Living outside the manageable laws

BUT

They are what they are
Never bothering with disguise
I’ve encountered all kinds
I can spot them a mile off
With well trained eyes
And they’re easy to spot



But the werewolves…

The werewolves are NOT.

They move in human  ways
Have human feelings
Play to play
Smell like fresh meat
Live, work, and love in heat
Play to play
And receive only to give back
With such sincerity of spirit
That it can’t be an act
Defined by passion
And the beating heart of the world
On which they have
Their hidden claws
So acutely on the pulse it
Always lends them the
Angelic glow
That renders them rather dulcet

To MY untrained eye anyway

Damned Werewolves.

They’re masters of Zen
Ever reigning the torrid beast in
Then Ready…Set…Pounce
And there’s not even and ounce
Of warning
Not a hint to seek shelter
As things fly helter-skelter
And teeth and fur and claws
Rip askew
The tame veneer
Even you couldn’t see through
And you’re searching
For expressions in eyes that in hue
Five minutes earlier
Were the skyest of blue and
NOW reflect
The more sanguine bits of you
As though they would taste
Quite nice in a stew
Except…forget the stew

You will do.

Willing or not.

Those BLASTED werewolves are
SO hard to spot!
Because most of the time
They seem so harmless
And not as if they
Need a chain mail  harness
But three days a month you wonder
If it’s all a lie
And the other twenty-eight
You wonder why you wondered why

Because lightning sometimes come from blue skies.

It’s truly not a lie
So maybe you just can’t train your eye
But those werewolves are SO DAMED HARD TO SPOT!
You can’t defend yourself
With plan or with plot

Thinking on them now
My stomach is in knots
Or no…I’m actually just kind of…hot
Come to think of it

I feel like of funky
A litter feverish and jumpy
Not the stomach-flu surely
Cuz I’m a little …hungry
Maybe I’ll just take bath and…
SHAVE? Again?
That’s the eleventh time in a row!
I’ll have to get new razors
To keep up with this growth
But I shouldn’t rant over
The bad genetics
That cause fast-growing leg hair

I’ll think I’ll eat before I go running

A Steak. Rare.

…Or maybe that guy over there…

I hope nobody sees me


Poem: Binary Classroom Sunburst Thing in my Brain


Binary Classroom Sunburst Thing in my Brain



How can I compete
With the gossamer verse
Of Ovid, Homer and Yeats?
A lyrical tongue,
Blessed with the ability
To sing Kepler’s harmonies
But never to wrap around and
Truly taste the finer eons-aged
Wine of the galaxy
At least not yet,
Not now
Not until I’ve been born into
A million skies
And felt the vibration of each star
Making electromagnetic patterns
On my skin
My mind,
Like a binary star
Sucking what I learn
From a the confines of a classroom
And a limited Earth-view
Knew knowledge mixing with old
Which mixes with collective
Ancient Intuition
Convecting, convecting
Connecting, correcting
Before grasping and
Finally projecting
With flashes of infinite clarity
At the force of 1,000,000 miles per hour
Collapsing under the weight of new realization
From a source 27,000,000 degrees
Too hot for me to hold on to for very long
Still
The rip is made
The burgeoning aurora in my mind
Largely protected
From the full force
Of what I seek to find
By the starkness of an earth-bound space and time
And from the flash
Through the crack
The star-dust settles
Crushed rainbow crystals
Sparkling in the enlightenment
Reflections of truth
And I can’t quite seem to hold onto
Kepler or Plato or Einstein for too long
Their theories like a never really forgotten song
From my childhood that I can’t quite remember
But the feeling stays
And the pull stays
Like gravity
Like a truth I found this one time
For five minutes
A puzzle exploded into a million fragments
That will take me forever to piece back together
It fades a bit
But glows steadily
The promise of another truth
Held in the small ball of angelic white
Stellar light
I pick it up
Truth the size of my pinky nail
Weighing eight tons
And I put it in my ear,
And it stays
A little nugget of flowing truth
From what I learned in class this year